German website SerienJunkies got an interview (4 pages!) with Terry during the Festival Großes Fernsehen (Big TV Festival?)

He brings up an interesting point. We haven't seen a flash forward with Locke yet, unless you count his brief (and deceased) appearance in the S4 finale....

But you have to keep track where on the time line all these things are supposed to happen to John Locke?

Yes, but in Locke's case, so far, he has only had the past and the present. As far as I know. Nobody has told me anything else. Both of those things are very clear to me and they are very clear to him. So, it's really not a challenge to me. It's more complicated for the fans of „Lost“.

And, um, yeah, this.

On the internet, we came across some websites which seem to suggest that you are the source of rather erotic fantasies from some of your female viewers. How do you cope?

Could you write them down for me? (laughter) Because I don't think I have seen them yet. I would like to have those, just to be able to show them my wife once in a while. How do I cope? I haven't been confronted with this problem. But I look forward to it. I haven't met them, and maybe if I met them, I would rather they stopped. But I like to live with my illusions. I can pictures them now, all of them. And they are gorgeous!

Oh, to have your problems!

Link: Lost:«I only have to keep track of John Locke...» - Serienjunkies.de

Congrats! Producer Abrams gets one for Cloverfield (Best SF Film) as well, which is awesome because Cloverfield rocked!

Awards LOST raked in: Best Network Television Series, Best Supporting Actor on TV (Michael Emerson), Best Actor on TV (Matthew Fox), Best Supporting Actress on TV (Elizabeth Mitchell, tie with Summer Glau)

The UK's Digital Spy sat down with Sayid, aka Naveen Andrews....

He talks some about his character, and how he feels that the 'future' timeline has filled him out somewhat...

What did you make of the flash-forwards this season?
"I thought it was a bonus, for me personally. It's a challenge to be able to play a character in the present and then zoom ahead to a point when they may have undergone great changes. I felt in season four, Sayid was spiritually dead [in the future], and something awful happened to his soul. To be able to play that and then go back to the island, where he's still quite active in life, was good."

How much are you told about the character, doing these future scenes?
"Absolutely f**k all."

Lots of other good stuff in there.

Link: Television - Tube Talk - Q&A: Naveen Andrews ('Lost') - Digital Spy

OK folks, grain of salt mandatory, but what's this about the fate of Jin? (highlight to read!)

Mena in Los Angeles: Please, spill the beans! Is there a chance that my darling Jin survived the freighter explosion on Lost?

Jin is gonna be fine. I don't know exactly how, but he's going to be fine. I suspect that the difference between Michael's and Jin's survival is that Michael was trapped inside the hold, whereas Jin being up on the edge of the deck meant he had a chance to be blown clear of the ship. Besides, the guy magically survived the crash of a 747 and the wreck of the raft. No reason he shouldn't survive this shipwreck—I choose to believe the Island clearly joins us all in loving him and wanting to keep him around.

Um, OK? Thoughts?


Link: Watch with Kristin - Spoiler Chat: 30 Rock, Lost, Gossip Girl

The UCLA Asia Institute has an interview with Ken Leung, aka the ever "sardonic" Miles from LOST.

APA: Based on what I've read and heard about the acting experience on a show like Lost, where because everything is kept so under wraps, you often don't have a sense of where the character is going beyond the episode you're filming, I'm wondering what kind of challenges that brings in terms of preparing for the role.

KL: It's really hard, because you're kind of preparing in a bubble, and you're not sure if you're in a vacuum. You prepare the scenes that you're doing so they make sense to you, and you're coming from some perspective, and it's really up to you to make decisions on why you do things or what you're after. Meanwhile, you know that it's your own concoction, and you really don't know how it ultimately fits into the grand scheme of the story. So it leaves you feeling a little isolated in that sense. So it's really hard. I'm finding it really hard.

No earth-shattering kabooms to be found, but a little interesting.

Link: Asia Pacific Arts: The Scene Stealer: An Interview with Ken Leung